Through the Weave: Progress on My New Pottery Collection

January felt like a pause—snowfall in Savannah is rare, and time seemed to slow with it. But February? It’s already sprinting ahead, pulling us toward warmer days. I thought I’d be further along with this small collection by now, but momentum didn’t really build until the first signs of spring appeared. I hadn’t realized just how much the seasons shape my creative energy until now. Maybe you’ve noticed the seasons pulling at your creative rhythms too?

After a deep hibernation mode, the shift feels palpable—planting flowers and making garden plans has me ready to dive back into the studio. My approach this year has been soft and intuitive, and I see that reflected in this new body of work. Sitting in the sunlight, weaving clay, forming soft textures and looping lines—it feels as restorative as the changing season.

I’m embracing this slower rhythm, layering materials in new ways, and getting grounded in the tactile joy of making. Below, I’m sharing a look at the latest pieces coming together, the details that make them special, and the inspiration that led me here.

Weaving Clay: Process & Materials

Working with clay feels like a natural extension of everything I love about textiles—the way materials can be shaped, layered, and transformed. The bowls in this collection carry a looping design inspired by my old knitting practice, while the spoons and bows echo the twists and braids of sewing notions. I’m especially excited about the bows, which I plan to pair with marbled fabric hangers so they can be displayed on a wall. Exploring these ideas feels both new and familiar, like stepping into a fresh creative space while drawing from everything that’s shaped my practice.

Some pieces in this collection come together by weaving strips of clay, a process that feels so tactile and grounding. The photo above shows a bowl on the drying rack—I can’t wait to see it fully finished! To strengthen the clay strips and keep them flexible while I weave, I knead in a small amount of natural wool. It helps prevent cracking and tearing, making the process feel even more connected to fiber arts.

Textures & Color Palettes: Soft and Sculptural

I always start with a loose vision—sometimes it’s a color, sometimes a texture that keeps resurfacing. With this collection, I kept returning to soft blues and optimistic pinks, gentle curves, and the interplay of form and negative space. It’s been a process of following my instincts, letting the materials guide me, and allowing softness to shape the work.

Final Pieces: Holding the Work in My Hands & Next Steps

There’s something special about holding a finished piece and feeling the journey it took to get there. The imperfections, the details, the way the glaze settles—it all tells a story. While much of this collection is still in progress, I’m savoring the trickle of completed pieces. Seeing it come together brings a deep sense of fulfillment, but more than that, it tells me I’m stepping into something meaningful. This work feels like a turning point, and I know I’m on the right path.

The first pieces from this collection will be available on February 20th. If you’d like a reminder when it launches, be sure to sign up for my newsletter!

Embracing the process,
Mia